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To AI or Not to AI – The Royal Shakespeare Company Ventures into AI and Immersive Tech

Curtis Pyke by Curtis Pyke
December 5, 2024
in AI News
Reading Time: 8 mins read
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The fusion of classical theater and cutting-edge technology might seem unexpected. Yet, the Royal Shakespeare Company (RSC) is poised to revolutionize the stage by integrating artificial intelligence and immersive technology into its productions. This bold move re-imagines how we experience theater. It also signifies a broader shift in the arts industry. This shift is propelled by significant government investment.

The RSC’s Technological Endeavors

Based in Stratford-upon-Avon—the birthplace of William Shakespeare—and London, the RSC has long been a beacon of theatrical excellence. In 2021, amid the global pandemic, the company broke new ground with Dream, a performance inspired by “A Midsummer Night’s Dream.” Using motion capture technology, they transported remote audiences into a virtual forest. They captured actors’ movements in real-time and rendered them as digital avatars. This innovative approach allowed viewers worldwide to experience the magic of theater from their homes.

AI Shakespeare

Building on this success, the RSC is now embarking on research and development pilot projects in collaboration with the U.S. tech and media festival South by Southwest (SXSW). This partnership signifies an international exchange of ideas, blending the RSC’s theatrical heritage with SXSW’s technological innovation.

While the specific technologies for upcoming productions are yet to be finalized, the company is exploring several exciting possibilities:

  • Virtual Reality (VR) and Augmented Reality (AR): VR immerses users in entirely digital environments through devices like headsets. For instance, an audience member could find themselves walking the halls of Elsinore Castle in Hamlet. Conversely, AR overlays digital content onto the real world, potentially allowing live actors to interact with virtual elements during a performance.
  • Game Engine Adaptation: By adapting game engines such as Unity or Unreal Engine, the RSC can create dynamic, interactive settings. These tools enable real-time rendering of complex scenes, allowing for changes during live performances.
  • Game Design Principles: Incorporating elements like branching narratives or audience choice can make theater more participatory. For example, viewers could influence the outcome of a play through collective decision-making.
  • 3D Modeling and Animation: Advanced 3D models can enhance set design, creating immersive worlds that are impractical or impossible to build physically. This can lead to cost savings and creative freedom.

These technological endeavors aim to push the boundaries of traditional theater. The RSC blends live acting with digital enhancements to create a hybrid experience. This approach appeals to both theater enthusiasts and tech-savvy audiences.

Government Support for Creative Tech

Recognizing the transformative potential of such innovations, U.K. Culture Secretary Lisa Nandy announced a £13.5 million ($17 million) investment in training, research, and development for projects in Merseyside and the West Midlands. She emphasized the need to democratize opportunity across the country, stating:

“Talent is everywhere, but opportunity is not. That’s why we are supporting firms, artists, and freelancers that are innovating, using new technology, and driving growth in creative clusters across the country.”

Of this investment, £6.75 million is earmarked for the West Midlands. This region, with its rich industrial history, is becoming a hub for creative tech. The funding will support businesses specializing in areas like video games and immersive reality. Collaborations with universities and the RSC aim to foster innovation and create jobs.

Key partners in the West Midlands include:

  • Birmingham Opera Company: Known for unconventional performances in unexpected locations, they are well-placed to integrate immersive technologies.
  • Birmingham Repertory Theatre: As a leading producing theater, they can leverage tech to enhance their productions.
  • Birmingham Contemporary Music Group: Specializing in modern classical music, they can explore new ways to present performances.

The remaining £6.75 million supports Liverpool’s MusicFutures cluster. This program brings together academia and the private sector to bolster the city’s storied music scene. Partnering with institutions like the Royal Liverpool Philharmonic and the Liverpool M&S Bank Arena, the cluster focuses on training musicians, teachers, and businesses in technologies like AI and extended reality (XR).

Lisa Nandy highlighted the environmental aspect of these projects, particularly in Liverpool and Merseyside. She noted:

“Liverpool and Merseyside hold a special place in our nation’s music landscape, and this funding will support imagination and experimentation across the city and region as creators explore how we can make gigs more environmentally friendly.”

This focus on sustainability is crucial. Traditional live events often have a significant carbon footprint due to travel, energy use, and material consumption. By leveraging technology, the sector can reduce its environmental impact while still delivering high-quality experiences.

The MusicFutures cluster aims to address these challenges by:

  • Training and Education: Providing musicians, teachers, and businesses with the skills to use AI and XR technologies effectively.
  • Sustainable Practices: Developing methods to make live music more eco-friendly, such as virtual performances or hybrid events.
  • Innovation Hubs: Creating spaces where artists and technologists can collaborate on new projects.

Additionally, the collaboration with established venues ensures that these innovations have practical applications and reach a wide audience.

The Impact on Live Music and Performances

The integration of technology in the arts comes at a crucial time. The Music Venue Trust reports that grassroots music venues are struggling, with 125 permanently closing in 2023 due to the cost-of-living crisis and other factors. These closures not only affect local economies but also hinder the development of emerging artists.

However, technology offers potential solutions:

  • Virtual Concerts: Artists can perform live to a global audience without geographical limitations. Platforms like VRChat have already hosted virtual concerts, indicating audience interest.
  • Augmented Live Shows: Enhancing physical concerts with AR elements can create unique experiences that cannot be replicated at home, incentivizing attendance.
  • Accessibility: Online or hybrid events can accommodate those unable to attend in person due to location, disability, or other barriers.

Moreover, the environmental benefits cannot be overstated. As the world grapples with climate change, reducing the environmental impact of live events is essential. Utilizing VR and AR can minimize the need for elaborate physical sets and international tours, thereby lowering emissions.

By investing in technology, the arts sector can find new ways to engage audiences and generate revenue. Immersive experiences can attract a broader demographic, including younger audiences accustomed to digital media. Furthermore, tech-driven performances can offer accessibility options, such as virtual attendance for those unable to visit venues physically.

Conclusion

The Royal Shakespeare Company’s venture into AI and immersive technology represents a significant step forward for the performing arts. By embracing innovation, the RSC is preserving the relevance of classical theater. It is also ensuring its evolution in a rapidly changing world. Government support amplifies this impact, providing resources necessary for experimentation and growth.

As we stand at the intersection of tradition and innovation, the arts have a unique opportunity to evolve. The RSC’s initiatives, supported by government investment, exemplify how embracing technology can lead to sustainable growth and creative renewal. Ultimately, the integration of AI and immersive tech in theater and music is not just about keeping pace with change—it’s about leading it.

Sources

Royal Shakespeare Company
Daily Sabah
Gov.uk
SXSW
Curtis Pyke

Curtis Pyke

A.I. enthusiast with multiple certificates and accreditations from Deep Learning AI, Coursera, and more. I am interested in machine learning, LLM's, and all things AI.

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